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When Julie begins a new love life, she finds herself sucked into an unusual family and becomes the stepmother of two children, one of whom is Antoine: disabled, autistic, mentally deficient, non-verbal and a high-level epileptic.
A rare documentary that shows how Soviet war propaganda presented the events of the Finnish front in 1941–1944. The main emphasis is on the resolution of the war. The film contains plenty of unique footage of the final stages of the Continuation War.
Overwhelmed when a figure from her past reemerges, Joan Verra retreats to the countryside with her son Nathan. There she experiences fragmented recollections of her past romantic encounters.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
The parents' violence on their children. Father and mother can each have hidden violence in the family universe.
Anthology of short films about the French city of Nice, by various directors. A homage to Jean Vigo and his "À propos de Nice" from 1930.
The director explains some of the themes behind his work.
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
Through the eyes of his friends and the adaptation of "Espèces d'espaces", this original documentary offers the least institutional image, the most friendly, the closest to Georges Perec. This documentary is composed of two films that respond to each other: one is a montage of conversations that Bernard Queysanne had with some of Georges Perec's many friends. They remember above all the man: the one who wrote on any piece of paper, who excelled in the art of puns, who liked to party with his friends and who lived sometimes unhappy love affairs. The other is an adaptation of "Espèces d'espaces", the writer's reflections on places: rooms, buildings, streets and districts.
Audio interview with Alain Resnais
The film evokes the stay in Brazil of Claude Levi-Strauss, an ethnologist, who stayed there from 1934 to 1938. His stay gave rise to the book "Tristes Tropiques". Based on images taken in 1935 and today, his statements reconstruct his intellectual journey in the field of ethnology. Searching for primitive worlds, he tried to understand the Indians whose decaying societies offered an "essence of social life." The work gives us an account of the importance of this scientific and philosophical expedition.
The forest is used here as a metaphor to explore the tenuous relationship between nature and culture. Through text and personal commentary this work also raises the issue of the complexity of human relationships.
"A propos de l'improvisation" is the title of an episode of the French TV talk show series Un Certain Regard which ran from 1964-1975.
A lyrical evocation of times past and a reflection on the inevitable passing of time through the recollections of an old fisherman.
Documentary edited from testimonies on the torture of people who experienced the war. Some witnesses were tortured by Jean-Marie Le Pen. These testimonies will help defend the newspaper Le Canard Enchaîné in court against Jean-Marie Le Pen for defamation. The film was shown in 1985 during the trial and some witnesses also came to support the newspaper. But the 1963 amnesty law protects the politician, prohibiting the use of images that could harm people who served during the Algerian war.
Alexandre Alexeieff and wife Claire Parker demonstrate and comment on animation techniques used to create illustrations for books like Zhivago and films such as The Nose and Night on Bald Mountain
